Does Your Karate Have “Flavour”?

“It is necessary to drink alcohol and pursue other fun activities. The art [karate] of someone who is too serious has no flavour.” – Motobu Choki

I have a karate friend, sharing the sentiments of Motobu, who said, “if you can’t do a kata drunk, you can’t do it at all!”

I know of many BJJ practitioners who choose to smoke weed before training. Even while attending BJJ tournaments here in Canada, where marijuana is legal, I’ve seen dozens of practitioners smoke a joint before their matches. In the hopes to, as Eddie Bravo as said, “rely more on your instincts,” and let “your body take over. . . you don’t think about it, you just do it.”

Although I’ve never been high while training, I have taken CBD before practice and can speak to its benefits. I was far more relaxed both mentally and physically. When hitting mitts, I didn’t get gassed out as quickly, and my technique was far more on point. While grappling, I didn’t feel as anxious while being smothered in bottom positions, which allowed me to see more openings for escapes and various submissions. I also cared less about making mistakes; I took more risks that I might otherwise be afraid to take. Because of this, I found the experience generally more enjoyable. I embraced the experience of training.

One doesn’t need to do drugs or alcohol to gain these benefits. Simply, one can embrace child-like playfulness. Hence, so many speak of the importance of the beginner’s mind, shoshin, a concept from Zen Buddhism, for which I find many advocate but rarely actually practice.

I’m not necessarily trying to support alcohol or drug use in training, but there’s something to be said about the quality of someone’s practice and their relaxed nature towards their martial arts.

Rigidity does not breed creativity.

In the video below, Firas Zahabi speaks to the importance of this.

He uses Muay Thai and Russian wrestlers as an example. The Russians don’t go full out every practice; they have a type of focused play. Because they’re not too serious when practicing, their training is more explorative and allows for more consistent, quality reps.

Regarding Muay Thai practitioners, who have also been known to smoke and drink before their matches, Firas speaks about when they train with someone too serious or aggressive; they’ll view the individual as “too amateur.”

In an episode of the Ultimate Fighter, George St. Pierre introduced a French Muay Thai fighter who would get drunk before training and referred to him as a “free-thinker.”

GSP has also been known to have a glass of wine during his training camps. One of my favourite pass times on a sunny weekend afternoon is to enjoy a glass of wine while going through kata, or practicing weaponry. Not unlike having a beer at the golf course, it makes the practice more enjoyable and makes it an act of unwinding.

The underlying principle of using alcohol or drugs to facilitate practice, I think, is to allow for a flow state, which, as Firas Zahabi points out, is key to consistent and enjoyable training. So when Motobu speaks of flavour, perhaps he means that someone who is too serious has no flowwhich I think most can agree, is essential for creativity and functional spontaneity. 

Regardless of whether you choose to use alcohol or drugs or reap the benefits of integrating it into training, practicing martial arts should always be fun. Instructors who take themselves and their art too seriously tend to be less than enjoyable to train with, can be insufferably traditional and a complete bore. Do you think Motobu’s quote was directed at Funakoshi?

Martial arts like a fine wine, you don’t drink it with the purpose of finishing the glass, but to enjoy every sip. If you’re not enjoying the journey, why continue on the path?

Cheers!

Enjoyed this blog? Check out Karate and The Sunk Cost Fallacy!

5 Tips To Avoid Failure In Martial Arts

With 20 years in martial arts, I’ve watched a lot of people fail. Not necessarily in the physical or technical sense, but a whole lot in the philosophy and attitude sense. 

On a side note, it can often be those who excel in the physical arena that lack the correct attitude to realize their potential, while those who fail to pick up techniques easily possess the true grit to succeed. 

Whatever your ability, I’ll hope you’ll enjoy and apply these five tips to avoid failure in the martial arts.

#1 – Self-Respect

Why did you join your martial arts club? Was it a fun way to get fit? Did you want to learn self-defence? Were all the cool kids doing it? 

Whatever the reason is, always try to be conscious of what motivates you to be there. 

You’ll have a lot of muggles out there who will never understand why you choose to spend your evenings getting hit, thrown, and mauled by other human beings rather than sit on the couch, eating chips, binge-watching Netflix. Many muggles will also try to convert you to the dark side: “It’s so warm underneath this blanket. . . Why don’t you stay in with me?” 

Remember, it’s warm under a 250lbs guy in BJJ, too! 

And, yes, the dark side has cookies! But just say no! 

The seed that inspired you to join your martial arts club is one of self-respect. You’re there to improve yourself physically, mentally and emotionally. Every time you step on the mat, you’re doing something that most of the population is unwilling to do. Don’t let unmotivated people unmotivate you.

Self-respect is the foundation to excel in martial arts.

#2 – When There’s A Correction, Always Assume It’s You.

Often, instructors will stop a class to provide corrections, usually with a few people in mind. Always, ALWAYS, assume it’s you. 

YES! YOU!

When you assume, “I’m not the one making a mistake,” that’s a mistake. 

Generally, those who believe they are not the culprit needing correction, their minds tend to drift off, and they pay no attention to the instructor. However, observing and listening to the instructor during these moments are essential for acquiring new information, whether it’s for you or not. If the class’s general populace is not getting things right, the instructor usually will phrase it differently or emphasize elements you may have missed the first round. 

Also, everyone, even black belts, has areas on which to improve. When the instructor takes the time to stop the class, try two things: 

  1. Be very mindful of how you are applying the technique and ask yourself, “Am I truly performing this as I was instructed?” 
  2. If you perform the technique in line with the instruction, be very mindful of what the instructor did to make it look so fast, smooth and accurate, and try to implement those elements. 

#3 – Be Humble & Have Faith In The System You Practice.

When you join a martial arts club, you’re not just learning a martial arts style; you’re learning a curriculum and system specifically designed by your head instructor. 

Just because you have experience in another martial art or the same martial art but in a different club doesn’t mean that you will be successful in the current organization you attend. 

Some misguided wrestlers often assume they should be promoted to a blue belt in BJJ faster than other participants just because they have grappling experience. What determines your level at any given school is your ability to pick up the head instructor’s curriculum. If you don’t know the curriculum, you won’t get a belt, no matter your previous experience.

If you don’t trust your instructor to make a fair assessment of your technique, then why are you still there? If you are going to learn from a specific instructor, you have to have faith in what they teach. You’re not going to get very far if you question their motives and reasonings all the time. And, if you do feel inclined to do so, then you’re obviously in the wrong place.

#4 – Patience 

There’s just no substitute for time. For many martial arts schools, it can take up to 10 years or even longer to achieve your blackbelt. That’s quite the time commitment. Your success in any martial art is 100% dependent on your willingness to invest time and effort into acquiring the skill.

To be good at martial arts, you have to be willing to drill techniques repeatedly, attend multiple classes per week, get slammed around a whole lot, and then patiently wait for a promotion. 

In my dojo, we often tell our students, “If you have to ask to be promoted, then that’s a good sign you’re not ready to be promoted.” Those who are ready to be moved up are given a new rank on the day they are ready. So, if you haven’t received your belt, then you don’t deserve it yet. 

#5 – Reciprocity 

One of the most important concepts I learned in martial arts is reciprocity. Whether it comes to how people treat you, the standing you have in the dojo and the belts you receive, it is all dependent on the efforts you apply. You always get back what you put in. 

When I started teaching in my dojo, it was because I wanted to learn more. I started volunteering my time as a green belt to help out with the lower belt classes. I didn’t get paid any money. I got paid with further instruction from my Sensei. As a volunteer, I was able to take advantage of the extra time spent with my instructors. I could ask them questions before and after the additional classes I attended, not to mention the value that comes with learning to effectively communicate the execution of any given technique. 

I was told once to “always give 30% more than what you expect in return,” I try to apply that in all my relationships, whether with friends, family, colleagues, students or teachers. The value you offer will always be obvious, and you are, therefore, indispensable–at least, to those who also understand the concept of reciprocity. 

Conclusion

At the heart of all these concepts is respect. Respect for yourself. Respect for your classmates. Respect for your teacher. Sensei Funakoshi once said, “Karate begins and ends with respect.” This phrase, of course, extends across all martial arts. If you’re wondering why you’re not as successful in a martial art, ask if you have demonstrated: 

  • Respect for yourself and others
  • Patience and humbleness
  • Reciprocity

If not, it’s not technique you need to work on. It’s yourself. 

Message from The Martial Arts Muse:

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Thanks again for reading! Happy Trails!

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Bunkai, Karate, Oyo, Kata Applications
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Kata, Karate

Is This The Return of Kata?

Up until this point, Karate seems to have been having dwindling participation in recent years.

In my club, particularly amongst our kids’ classes, the numbers have steadily been going down.

It seemed that Karate was becoming a bit passé in comparison to the trending martial arts, like BJJ and Muay Thai. I suppose if a child is going to choose a martial art, they’re more likely going to want to choose a martial art that their parents enjoy on television like what they see in the UFC.

But now, we’re all in self-isolation. Martial arts that are dependent on partners (which SHOULD be all of them) are having trouble selling their art because it is so reliant on proximity with another human being.

If you’re not fortunate enough to be locked in with someone who also has a love for hitting and strangling other people for fun, what is one to do?

Kata.

Since COVID-19 has forced us all into isolation, famous martial arts practitioners, like John Danaher, have been promoting their solo drills—something karate students have been practicing since its conception.

Of the martial arts schools I’ve seen with the highest success since self-isolation policies were implemented, karate schools have reigned supreme with minimal loss in students.

Why?

Because solo templates are and have always been a pivotal part of Karate’s practice, a focus on solo practice has lent itself to an ease of adaptability in current times. Let’s look a little bit further at why.

#1 – Little Adjustment for Karate Students

Unlike other martial arts, solo practice has been a heavy focus in karate. Yes, other martial arts will use solo practice in a warm-up, but very rarely do they make it a focus for an entire class. In karate classes, you will train hours and hours of getting your body in just the right alignment, so that it will be as you train it with a partner. Because karate practitioners are already accustomed to practicing solo in the dojo and at home, there is minimal adjustment for them.

#2 – Trained To Use Imagination

Some Karate schools teach kata first, then the applications. Other karate schools teach the opposite. Whichever way they choose, because Karate has always used solo templates, they’ve always been encouraged to imagine an opponent, and different scenarios when practicing their kata. This is an ideal tool when in self-isolation.

#3 – Strong Sense of Tradition & Discipline            

Most martial arts also have a strong sense of traditions, but Japanese martial arts seem to place a stronger emphasis than others. A greater sense of tradition may lend itself to a strong sense of discipline, which is an important quality; without it, many may not be motivated enough to take the time to train at home. A sense of tradition may also promote a stronger feeling of loyalty amongst its karate students. If the Sensei says there is a virtual class, most students will follow through, simply out of a sense of commitment to their instructor and their club.

#4 – Meditation In Motion

Recently, I’ve seen an increased interest in meditation. Self-isolation may be a trigger for mental illness for some individuals, a common remedy is meditation. Kata can certainly be identified as “meditation in motion”, the focus derived from its practice and the focus on breathing, may promote the same rewards as meditating in a seated position. Kata as a holistic practice also allows for improved cardio, strength and flexibility. Because kata allows for the so many rewards, it’s easy for the karate practitioner to feel inclined to practice kata on a regular basis.

#5 – Pathways In The Brain See No Difference

The connections in your brain see little difference whether you practice a movement pattern with a partner versus during solo. Whether you practice the movement patterns on your own or with a partner, you’re still reinforcing similar neural pathways. Because, as previously mentioned, Karate Sensei teach to imagine opponents and scenarios from the beginning, it lends them the greater ability to reinforce these neural pathways in isolation, which ultimately will improve their performance with a partner.

Conclusion

More now than ever, solo practice or kata is one way martial artists can continue to build on their technique while in isolation.  But while kata offers many great rewards and should be practiced regularly, I think karate practitioners should stop to ask themselves a few questions.

  • Do you think when you did have a group of people in a room together that you used your time as wisely as you could have?
  • Could you have spent more time on practical two-person drills when you still had the opportunity?

Kata is a pivotal part of karate as a practice, and as discussed, an important tool in karate training, however, a tool that is over used, also becomes useless. For some schools, kata is over-practiced, used as a substitute for realistic, pressure tested scenarios. Although kata has it’s place, when you do have people to train with, that is the time when we should be practicing techniques and scenarios with one another.

But now, isn’t just the time for solo practice, but for self-reflection.

At this moment, it’s the world’s version of “Go to your room and think about what you’ve done!”

No matter the art you practice, also ask yourself:

  • Could I have been a more compassionate teacher?
  • Could I have been a more understanding student?
  • How could I have helped those around me, when I still could have?

The world has given us an opportunity to reflect. And, when you do, are you satisfied with what you see?

Bjj white belt, Karate black belt

Things I’ve Learned From BJJ As A Karate Black Belt

The first and most obvious thing I’ve learned attending BJJ classes is BJJ. But, if you’ve been involved in the martial arts as long as I have, you know that there is a lot more to gain than just technique. Often, these secondary benefits can outweigh the primary goal of acquiring a new skill.

From the beginning of my BJJ practice, I’ve been cognizant of how my past martial arts experiences can facilitate the acquisition of new information, and how that new information can enlighten my past.

With that in mind, let’s take a look at what I’ve gained as a BJJ white belt from the perspective of a Karate black belt.

#1 – I don’t know everything. . . Thank god!

Coming into BJJ, I already had a high-performance background in wrestling, and 18 years of Karate with Japanese Jujitsu thrown in. It’s safe to say that I had far greater experience than the average white belt in terms of technique and formalities.

I recall walking in with my white belt on. Not only was it tied correctly, but in such a way that it would not fall off while training, a dead giveaway to my instructor that I wasn’t completely new to the martial arts.

Despite this, and as one would expect, in my first class, I got my ass handed to me—thank god!

I’ve always enjoyed a good ass-kicking, and that day, I received it. It was a reminder that I didn’t know everything. It was also a sign that I was in the right place. Those around me had something to offer, and I would have lots to learn.

#2 – Reinforced Importance of Aggressive Resistance

Essentially, at the end of every lesson in BJJ, there is a rolling session. Rolls are a means to explore techniques you have learned and to apply them under pressure.  You aren’t really studying violence unless you pressure test. You can practice a technique over and over again, but if you don’t apply it under aggressive resistance, there’s no proof that it really works. I think this is one of the reasons that BJJ has served those in MMA so well. They’ve always made pressure testing a part of their regular practice, allowing them to enter an arena with the utmost confidence.

#3- A Background in Martial Arts Helps

Even if a martial art system offers a different emphasis, a background in any martial arts goes a long way.

I had the following going for me:

  • I didn’t feel silly or awkward putting on a gi
  • Having spent time in this male-dominant industry already, I wasn’t intimidated to be the only girl in the class
  • I already had excellent body awareness and was familiar with many of the movement patterns
  • I knew how to get hit and keep moving
  • I could immediately see the levers that make techniques work

I didn’t have to learn to overcome anything. Any obstacles that did arise were familiar ones. Because I felt more comfortable than the average white belt, it lent itself to an ease of adaptability in the context of BJJ.

#4 – Generalists Versus Specialists

The style of Karate that I currently practice is Koryu Uchinadi Kenpo Jitsu. In this style, we practice everything: submission, throws, chokes, percussive impacting, and of course, kata. In short, in Koryu Uchinadi we study violence.  Because violence has no specification in terms of techniques, we have a fairly wide curriculum that allows for specialization for those who choose. Our study is broad, which defines us as generalists.

Studying martial arts from a broad manner lends itself to many benefits

For example:

  • Understanding of contextual premise
  • A Comprehensive view of violence
  • Comfortable in most positions

Brazilian Jiujitsu practitioners are ground specialists. You don’t learn the proper mechanics of how to punch in a BJJ class, but as the Gracies have proven, you don’t necessarily need to. If we view BJJ as a web, all variables centre around a single point, the ground. While the opponent can kick, punch, grab, and so on, if the BJJ practitioner can grab you, they can control you.

Specialization also lends itself to unique benefits.

  • Hick’s Law—the idea that the more choices you have, the longer it will take to choose—is a non-issue
  • Highly proficient in a subset of techniques
  • Sub-specializations

#5 – The Principles Are All the Same

For most, we have 2 arms, 2 legs, torso and a head. The human body and physics don’t change based on the martial art you choose to study. My Sensei has always said, “if you close your eyes, let one karate black belt, one boxer and one Thai boxer punch you in the face, would you be able to tell the difference? Of course not, they would all hurt!”

The same would be true concerning an arm-bar applied by a BJJ, Sambo and Judo practitioner.

Often martial arts schools like to promote the idea that their method is better than another. The reality is the principles that govern the techniques of one school are exactly the same as any other. It’s a teacher’s understanding and how they communicate those principles that determine the strength of their methods.

The principles that govern ALL martial arts systems include:

  • Force
  • Momentum
  • The 5 ancient machines
    • Pulley
    • Wheel and Axel
    • Wedge/Inclined Plane
    • Screw (which is a variation on a wedge)
    • Lever
      • Class 1 (Load, Fulcrum, Effort)
      • Class 2 (Effort, Load, Fulcrum)
      • Class 3 (Load, Effort, Fulcrum)
  • Tool, Location, Intensity, Angle, Direction = The Application Formula

It is important to be reminded of this because looking at martial arts as a set of principles allows you to transcend individual techniques and see the practice as a whole.

Conclusion

In Japanese martial arts, we liken our study to a path. Often, we quote the following:

“There are many paths to the top of the mountain, but there is only one moon to be seen for those who achieve its summit.”

– Chinese Proverb

Over the years, I have walked several paths simultaneously, enjoying each new road as much as the next.  Taking the time to walk these unexplored pathways may initially require greater investment, but it’s has proven to show some useful shortcuts.

But as we all know, it’s not about the destination, it’s about the journey. Despite my background, I know my exploration of BJJ will offer many peaks and valleys that are yet to come. When I meet them, I look forward to greeting them like old friends.

Friction in the Dojo: How It Can Move You Forward

Friction. . .

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It can be the thing that helps drive you forward. . .

It can be the thing that slows you down. . .

As yellow belts, my friend Tracy and I had a silent competition against each other.

Our Sensei told us that the only person we should compete against was ourselves.

“Os! Sensei!”

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In lip service, like so many still do, we professed to one another and our instructors that this was always our goal, to simply be better than we were the day before.

A selfish attempt to be more idyllic than the other.

When we stood next to each other in line, our eyes would always glance to the other.

Watching, sensing, checking. . .

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“Is her horse stance lower than mine?”

“Did she do more push-ups than I?”

“Did the Sensei compliment her and not me?”

As these thoughts and insecurities arose in me, I later learned that she thought the same.

It was the unspoken friction that propelled us forward.

For everything she did well, I was committed to doing it. . .

better,

faster,

stronger,

than her.

And with that, Tracy would double her efforts in return.

In the presence of one another, our efforts were exponentiated. Our skill improved through the silent desire to be the best in the dojo, better than the other.

But. . .

One day, Tracy stopped attending classes. So, I was left  alone to to find another “Frienemy” to silently compete with.

As the years passed, there would be others. . .

Watching, sensing, checking. . .

Better, stronger, faster. . .

Wash, rinse, repeat. . .

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But, they would all eventually leave as well.

By the time I achieved my Shodan, there was no one left to compete with.

The Senpai above me were so far ahead, there was no competition there.

And, my students were not close enough yet to truly challenge me (although, I look forward to that day).

Without this traction, I could feel myself slowing down.

For the first time in my life, I had no one to compete with but myself.

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Where I once targeted my critical eye on those around me, I was now forced to point it at the one person I could neither defeat nor be defeated by: myself.

It was in that moment I understood what my Sensei was getting at when he said, “You should only compete with yourself.”

There is, of course, value in silently competing with those around you, as a type momentary motivation to challenge your physicality and fitness.

But, in the long run, you should define your success on your own terms. Each individual in the dojo has their own unique objectives. Sometimes people pursue martial arts for fitness, others for camaraderie, or just because they find it fascinating.

Would you want to compete against someone who is purely interested in the history of karate when your interest is biomechanics?

Of course not.

In this sense, it’s not so much about competing, but defining your unique objectives. Give yourself the recognition that you deserve. Observe the distance you’ve gone to achieve your goals. Have enough self-awareness to ask “Can I do better?” and to answer “I will do better”.

Now, when I step in line and look in the mirror, I sometimes see the gawky, awkward, teenage, yellow belt I once was and I wonder. . .

“Is her stance lower than mine?”

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The Road Less Travelled Is Not Always A Road

“There are many paths to the top of the mountain. . .”

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One night, I had a dream that I slid down a mountain and I was about to fall into the ocean. Before I hit the water, I caught onto something and started to climb back up. At this point, there were other people around me—most of which were people I loved and respected—and they were climbing faster than me and with bigger loads on their back; some were even carrying other people as they climbed upwards.  I was constantly losing my footing and slipping; I was afraid to fall, anxious to get to the top and frustrated that everyone else was doing better than me.

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Then, I noticed a river flowing down the mountain beside me and a long time friend said to me, “Let’s swim up, it’s easier that way.” He jumped into the river and swam up, reaching the top before anyone else.

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I was afraid to follow because the current flowed downwards, but because I trusted him so much, I jumped in anyway and began to swim. I wasn’t sure in what style to swim in, because my friend reached the top with front stroke, I tried his way, but I went further down. So I started swimming doggie paddle; still didn’t work. Then, I went with breast stroke and found that I reached the top before everyone else.

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Although unorthodox, I realized that by jumping into the river, I didn’t have to be afraid of falling anymore, because one cannot fall while in water. And even though I had to fight the current in the river, it was easier to flow upwards than if I had followed the methods of the people around me and I need not compete with them, because it is only through my own technique that I may reach the top of the mountain.

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“. . .But there is only one moon to be seen for those who achieve its summit.”- Chinese Proverb

9 Stupid Reasons to Be In the Dojo. . .And, The 1 Good Reason YOU SHOULD!

Have you ever met someone in your dojo who just doesn’t get it!?

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The student (and sometimes teacher) who will do martial arts for every reason under the sun, except for the reason they should!

The reason that will give them the best results. . .

The reason that will give them the greatest satisfaction. . .

So here are some of the ignorant, the creepy and at times downright stupid “reasons” to train I’ve seen over the years from students and teacher alike, and the simple answer I have for all of them.

1) When your Mom drops you off and you don’t want to be there. . .

JUST TRAIN!

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2) When you’re trying to escape your personal problems. . .

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3) When you want a way to flirt with the girls in the dojo behind your wife’s back. . .

That’s creepy! Stop it! JUST TRAIN!

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4) When you want to believe training will make you a Jedi. . .

Do or Do not. . . JUST TRAIN!

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5) When you  fake an injury just to get attention. . .

JUST TRAIN!

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6) When you have a crush on the Sensei. . .

Ugh. . .Grow up! JUST TRAIN!

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7) When you want to be the next Karate Kid. . .

Wax on. Wax off. JUST TRAIN!

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8) When you’re looking for a father figure. . .

Get therapy! JUST TRAIN!

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Well, maybe not therapy from him. . . 

9) When you want your next belt. . .

JUST TRAIN!

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10) When you want to be a respected martial artist. . .

That seems legitimate. . .JUST TRAIN!

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“JUST TRAIN!” It’s Chuck Norris APPROVED!

When you enter the dojo, there’s only one reason and one reason only to be in that room.

So, Shut up!

JUST TRAIN!

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You Invested In The Wrong One. . .

You know the one. . .

A Student

A student who showed so much promise. . .

With the ability to pick up movements with ease and grace,

An ability to strike and kick as if it was second nature, leaving you with the feeling you have found a prodigy.

You know the one. . .

A Teacher

A teacher who showed so much promise. . .

With skill and knowledge so far beyond your own.

A paradoxical ability to challenge and encourage you, leaving you with the feeling you’d be lost without them.

But then. . .

Something happens. . .

The masquerade ends. . .

And, something dark deep down seeps out from beyond their mask.

They are not what we hoped them to be. They never were.

You know the one. . .

A Student

A student who speaks wrongly behind your back

With the natural ability to lie and deceive;

A prodigy with the cloak and dagger.

You know the one. . .

A Teacher

A teacher who lacks moral stamina.

The ability to choose vice over virtue.

They submit to nothing, except their own temptations.

But perhaps the mask they once wore was not one of their choosing

It is a mask we projected.

We were so desperate to grasp at the hybrid of elegance and ugliness that we put what we desired most in the forefront only to watch it dissolve away, leaving you with this empty feeling. . .

You invested in the wrong one.

Post Script:

No matter the reason—whether it was simply a talented student who went off to university, a teacher who started teaching “chi- balls,” or something far more insidious—being disappointed by someone in whom you’ve made the careful decision to invest your time, energy and, dare I say, love is never easy. But, as the Buddha says, “all things are impermanent” and as that emptiness passes, you’ll find that in its place friendships with more dedicated students and respectable teachers will blossom far greater than the void that was left. Those are the people worth investing in.  

Karate and The Sunk Cost Fallacy

The sunk cost fallacy is when you make a decision based on the desire NOT to see your past investment go to waste, rather than on the best outcome.

Nowhere else do I see this phenomenon as much as in karate.

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I have listened to many karate students and teachers explain to me that they are disenchanted with their current karate practice:

“The application practices are unrealistic.”

“The body movements are mechanical.”

“The teaching style is too militarized.”

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Yet when I ask, “Why don’t you quit or switch styles?”, there is always an excuse. Sometimes, they quote loyalty to their instructor or peers.

OR

It’s just the way they’ve always done it.

Denial-san at it’s best!

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The real reasoning is they cannot bear the thought that they’ve invested their entire life for a method that is now or always has been worthless.

It’s a security blanket that is worn, tattered and useless!

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I’ve also seen long-time students make no meaningful commitment to training, but show up for the last 15 minutes of class once a month, do a kata and leave, while claiming they are still passionate about martial arts. It is obvious their interest has faded and they’d be happier somewhere else.

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Why do they continue to come to a class when they aren’t getting anything from the class mentally, physically or even socially?

They hold on by their fingernails because they fear that if they completely stop, that all those years of real commitment and work will have been a waste.

As Julia Galif explains, “whatever you have already spent is called the sunk cost. It’s gone no matter what you do going forward.”

The irony is that the desire to not see your past investment go to waste makes you waste even more time clinging to something that you no longer enjoy.

My advice is to not waste any more time pretending martial arts is something you actually want to do. Put yourself in a place you want to be, even if that means leaving the Dojo behind.

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For instructors who are disenchanted, find a methodology that truly fits the outcomes you want to achieve. It may mean biting the bullet and starting over again from the beginning, but once you realize you are on the wrong path, the only option is to correct the course you are on.

For the students who have lost interest, your time hasn’t necessarily been wasted. The benefits of pursuing the fighting arts are far and wide and the lessons you’ve learned will always be with you. Remember, it’s better to have loved and left than to have never loved at all.

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Guest Post: “The Instructor-Student Gap: Why Your Students Still Suck” by Josh Stewart

Any good instructor’s process is always under scrutiny. The instructor looks at the students and wonders, “Why aren’t they doing what I asked?” or “Is that really what I showed them?”

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Self-doubt is a valuable tool in martial arts both as a student and as an instructor. As a student, when the instructor makes a correction or provides feedback, there should always be the assumption that you are the one doing it wrong. If that’s the baseline assumption, then if it’s not true, you have reminded yourself of something you are doing correctly, and if true, then you have found an area to fix.

As an instructor, this can be somewhat more difficult. The reality is that there will always be a gap between what you teach and what somebody else learns. It could be physiological differences, miscommunication, or varying learning styles that cause this discrepancy to exist.

Physiological Differences:

Age and injury account for a number of physical limitations that may prevent students from doing exactly what the instructor does, but there are also a number of other biological factors that affect how an individual performs a particular technique.

Flexibility, or lack thereof, has a vast effect on how the body moves. Stances and kicks are obvious areas where flexibility provides a greater range and may limit a student from copying exactly how an instructor executes a movement. Grappling is another area where strategy or technique selection can be largely determined by flexibility. For example, Eddie Bravo’s 10th Planet system is designed with the assumption of a certain range of motion, and someone without that capacity may struggle to emulate those exact sequences.

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However, I have also noticed that double-jointed students often have difficulty limiting their flexibility by contracting muscular groups effectively at the right times. Even a simple straight punch, executed by someone with a lot of flexibility, sometimes gives the appearance and feeling of being floppy when joints hyperextend without suitable muscular contraction to support the energy transfer.

Stature is another contributing factor. Bigger, more muscular people may rely on their size and strength advantage when working with a smaller partner, leading to neglect of correct footwork, positioning, or body mechanics because they can “get away with” doing the technique incorrectly—until they encounter a training partner their own size. Conversely, smaller students may have to supplement their techniques with extra kicks, knees, or groin slaps to help bring larger partners down to their own level. Otherwise, they may struggle to achieve the intended outcome because they simply can’t reach the targets designed in the training exercise.

Miscommunication:

As the word suggests, this occurs when one or both parties involved are not on the same page in regards to what is being asked. Any martial arts instructor who teaches kids knows that lack of listening or focus has a vast impact on this process, but it is certainly not limited to children.

Adults, especially advanced ones, tend to experience miscommunication because they believe that they already know the message being delivered. Again, the correct default for a student should be to assume they know nothing and are doing it all wrong, but naturally after several years of training, the ego may want us to assume otherwise.

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Of course, it takes two to tango. Instructors sometimes give vague or contradictory pieces of information about how a technique or strategy should be applied. Another source of miscommunication that can be blamed solely on the instructor is talking over the students’ heads. At times there may be too much technical jargon that learners will not be familiar with, in which case the verbal instruction may not transfer any useful information to the group. Instructors always need to remember who their audience is to ensure that the right level of detail is being provided at the right time in the learning process.

To limit miscommunication, creating an environment where it is safe to ask questions is vital. If a student asks for clarification and gets an abrupt, rude response, that will be the end of the process. Unfortunately an instructor’s ego is also involved in this process, often leading to the conclusion: “Well, I explained it clearly . . . What’s wrong with these students for not getting it right?” Just like the student, the instructor’s baseline assumption should be the opposite. If the students aren’t getting it, the onus should first be on the instructor to try again to deliver the lesson clearly and effectively.

Learning Styles:

Of course, there has been a lot of research into kinesthetic, auditory, and visual learning. The established reality is that, while we may rely more heavily on one rather than the other, each is a spectrum, and depending on what we are learning, we use each to varying degrees. In martial arts, we virtually always rely on them all: we listen and watch as the instructor presents the material, then we practice it physically.

Learning style also affects how an instructor delivers lessons in terms of how much context to give. Some learners are “big picture” oriented—they won’t understand the piece of a puzzle unless they know what the entire scope of the puzzle is. However, others are happy just to take one piece and practice it, and worry about the next step in the process when they get there. While one learner might be confused by being asked to deliver a technique without knowing what came before and what will come after it, another will be bored by the teacher’s long, unnecessary rant about the history and functionality of a certain sequence that they haven’t had the chance to practice yet.

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Body language is a key to understanding a student’s learning style. An auditory learner stands closely to the instructor and leans in to hang on every word; a visual learner re-positions to get the best angle to see what’s happening; a kinesthetic learner mimics the instructor as the movement is being demonstrated. Global learners may walk back to their partner shaking their heads or linger longer than others, hoping for more explanation. Analytic learners may look restless when the big picture is explained and will be the first one back to their partners.

In any group of students, there will typically be a standard distribution of students who will learn faster than average with less practice, those who will achieve proportionally to the amount of effort they expend, and those who are ultimately destined for failure despite their best efforts. The instructor’s role dictates catering to those in the second category. If students are struggling to perform the technique as being explained and demonstrated, the instructor should first look at the potential of his or her own failure before moving to the conclusion (although sometimes correct) that the student is the one responsible for missing the mark.

Author Bio Josh Stewart

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