Beginner’s Guide to Surviving a Koryu Uchinadi Gasshuku

At the Koryu Uchinadi North American Gasshuku, you will experience 4 – 8 hour days of physical and mentally demanding training. It will be a whirlwind of information covering everything from throws, ground techniques, weaponry, striking, “bunkai”, 2-person flow drills, and of course kata, from some of the world’s most knowledgeable and talented martial artists.

If you’ve never attended the event before, you might not be sure what to expect and you may be a little intimidated. So, I made up a short guide to help those who are new get the most out of their training and the extracurricular activities at this year’s event.

#1 – It’s a marathon, not a sprint.

8 hour long training days over 4 days is guaranteed to take its toll on you mentally and physically, so be careful not to overdo it on the first day.

My first Gasshuku, I most certainly did and I literally had a sleeve of bruises, which affected my ability to make a fist and drink a beer for the rest of the week. . .

It was quite the ordeal, specifically the beer part.

So, don’t make the same mistake I did! Remember, it’s not about showing off, it’s about learning, so take your time and move at a pace you’re comfortable with, both for your safety and the safety of your partner.

#2 – Stay hydrated.

I suppose this should go without saying, but for those who have never trained over an extended period of time before, it’s an important reminder.

The KU Gasshuku will be strenuous, at the least. To help keep you focused and healthy throughout the event, always keep a water bottle handy and try not to overdo it at the bar.

#3 – Listen!

I’ll say it a little bit louder for the people in the back. . .

LISTEN!

I mean really listen! And, by that, I mean close your mouth and open your ears!

For many of us who attend the event, we’re professional martial artists, we’re black belts, we’re teachers and we almost always take on the teaching role. If you’re attending the Gasshuku as a participant, your job, your only job, is to learn.

The key to do that is to. . .

At the Gasshuku, this is your chance to really be a student again. And, to get the full advantage of the lessons, take on the beginner’s mind, “empty your cup” as they say, and remember that in the martial arts, you’re “always a student, sometimes a teacher”.

#4 – Remember your etiquette and your hygiene.

Anytime you attend a martial arts event for the first time, scale your etiquette towards the formal side until someone tells you otherwise. Remember to bow when entering the dojo or greeting a senior student or instructor. It’s always better to lean further towards formality and tone it down when asked than to not show enough formality and be seen as arrogant or disrespectful.

In continuity with etiquette, remember good hygiene! You are going to sweat A LOT, so please make measures to ensure you have a clean gi and fight gear. Also, remember to keep those fingernails and toenails cut short. . . You don’t want to be that guy!

. . .Or, do I?

#5 – Have Fun!

Last, but not the least, have fun! At the event, we train hard and play hard. The sweat, the tears, the hangover — it’s all in good fun. Try not to take yourself too seriously and come in with a child’s mind. Don’t worry about making mistakes; that’s a part of the learning process. We’re just here to play and explore and in doing so have a better understanding of the art we love so much: Karate.

We hope to see you there!

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Gasshuku Interview With Hanshi Patrick McCarthy

With the 2018 Koryu Uchinadi North American Gasshuku just around the corner, I had a chance to speak with Hanshi Patrick McCarthy (9th Dan) about what the Gasshuku means to him and what we’ll be learning at this year’s event. 

JT: Can you tell me a bit about the meaning and history of the term Gasshuku?

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McCarthy Sensei: Unlike the Japanese terms Keiko[稽古], which means “training,” Renshu[練習], which means “practice,” Kan-geiko[寒稽古], which means training in [cold/winter] temperature/conditions and/or Shochu-geiko[暑中稽古], which means training in [summer/hot] temperature/conditions, the term Gasshuku[合宿] means “training camp,” but also brings the idea of lodging together while conjuring up a special feeling of camaraderie and learning through austerity. This, of course, coincides exactly with our theme for the international gathering: diligent training, improved understanding and camaraderie between like-minded people supporting common goals. Unlike the open or multi-style training seminars that I often teach around the world, the focus of our symposium is to address curriculum-orientated theory and practices. The express purpose of this effort is purely to broaden and deepen your understanding of Koryu Uchinadi and tighten our bond of friendship in the spirit of Budo.

JT: Can you tell me about the first Koryu Uchinadi North American Gasshuku? What was it like?

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McCarthy Sensei:  Oh yes, the first two things that come to mind are what a remarkable job Sensei Brian & Helen Sakamoto did in arranging the gathering and exactly just how bloody hot it was in Toronto that summer of 2002.  I also remember the special guests who came to visit: Sensei Tsuruoka, Sensei Wally Slocki and Sensei Monty Guest. In spite of the hot weather, we had such a memorable time training together and forming such unshakable bonds of friendship.

JT: What is your favourite part about the Koryu Uchinadi North American Gasshuku?

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McCarthy Sensei:  Ahhh, that’s easy. Just the feeling I get of being around so many who share my dream and seeing how KU empowers those who embrace it.

JT: What do you plan on teaching at the 2018 Koryu Uchinadi North American Gasshuku?

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McCarthy Sensei: Well, everything I teach is “Toolbox-orientated” [i.e. the ability to deploy effective practices against the HAPV] in what I refer to as Riai-Tegumi. That said, my focus of attention this year will be on the 48-Bubishi postures, how they are used against the HAPV, and their ritualization into templates, which are exampled in the Kata we embrace.

JT: Could you explain the significance of the 48-Bubishi Postures?

McCarthy Sensei: The 48 2-person postures represent classical HAPV and response applications. They are timeless and hugely significant to the original art as once taught, learned and practiced in old Okinawa.

JT: Could you explain Riai-Tegumi in a bit more detail, for those who are not familiar with this practice?

McCarthy Sensei: Riai-Tegumi[理合手組] is an unscripted/random exchange of HAPV attacks, escapes & counters [using our RRCCR/receive, respond, capture, control & release concept], with varying levels of aggressive resistance, which starts from a stand-up position after, “crossing hands,” and includes the clinch and the ground, and most preferably all three areas.

JT: If you had one piece of advice to give, what would it be?

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McCarthy Sensei: Don’t be afraid to believe in yourself, follow your heart and enjoy life!

Message from the Director

Sensei McCarthy

“Dear students, instructors & colleagues,

I have long been passionate about the traditional fighting arts but prefer functionality to impractical ritual. By going out on my own, and establishing Koryu UchinadiI not only challenged the existing status quo, I succeeded in ruffling many a feather within our tradition. Nowhere was this sentiment more evident than with the zealots who believe the art is the exclusive domain of the Japanese [i.e. Okinawans]. My knowledge of Japanese language and [Budo] culture, unique experience and technical competency represented the kind of progressive independence, which seemingly threatened the control and insecurity of the powers that be.

17th Century Haiku Master, Matsuo Basho, summed up tradition nicely when he wrote, “Seek not to [blindly] follow in the footsteps of the men of old but rather continue to seek out what they sought.” This timeless concept says so much about keeping tradition alive, rather than blindly adhering to, “Exactly how the master did it 75 years ago!” Citing the wisdom of Thomas Moore, “Tradition is not the worship of ashes, but the preservation of fire.” Progress is impossible without change, and those who cannot change their minds cannot change anything. The only way to do this effectively, especially in lieu of such widespread ambiguity, is the continual exploration of that which we don’t understand by using any and all means available to us. This is the guiding light of the IRKRS, and I am confident that the direction in which we are currently travelling is much more in line with the teachings left to us by the pioneers than is the conformist mentality that shaped the dysfunctional modern interpretation of this art.

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Koryu Uchinadi represents the culmination of my life’s work. It is a uniquely contemporary tradition meticulously constructed from the remnants of four classical practices [Tegumi手組, Ti’gwa手小, Torite捕り手 & Kata型], once vigorously embraced during Okinawa’s old Ryukyu Kingdom Period. For many years, I dreamed of a way in which to reach out and help other people find their way through the historical, cultural and technical ambiguity, which tends to shroud understanding the essence of this art. The International Ryukyu Karate Research Society has become a worldwide movement bringing together like-minded people in pursuit of common goals. Celebrating empowerment, personal achievement and camaraderie has become the hallmark of our movement.

This Gasshuku is one of the most important annual gatherings of our organisation. To have such dedicated and like-minded people come together in camaraderie and support of common goals is nothing short of wonderful. I would also like to express my appreciation to all local participants and especially those who will travel from out-of-town, the USA and overseas. Some of the supporters here have been with us since our very first Gasshuku in 2002. I am especially grateful to Sensei Helen Sakamoto for her years of unwavering support. I’d also like to say thanks to Renshi Mike Coombes, his team, and the entire Toronto Study Group who do such a great job co-hosting our gathering. Also, a very special thanks to our co-instructors [Renshi Paul Lopresti, Renshi Cody Stewart, & Shidoin Darrin Johnson] for agreeing to deliver our target lessons this year. I am confident that you will be very happy with the experience delivered through their insightful lessons.

Welcome to our 16th annual North American Gasshuku, thank you for sharing my dream and helping to make this annual gathering such a wonderful learning experience.

Patrick McCarthy

Director

Join us for the 2018 Koryu Uchinadi North American Gasshuku!

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Martial Art Talks: Renshi Paul Lopresti

Welcome to Martial Art Talks! The MAT is an interview blog series where I speak with the best and brightest the martial arts industry has to offer.

This week on the MAT, I speak with Shotokan 5th dan and Aiki Kenpo Jujutsu 5th dan, Renshi Paul Lopresti. Renshi Paul has over 40 years of experience, first starting in Karate with his father at 7 years old!

Renshi Paul Lopresti

Today he shares his experiences training MMA fighters and what he will be teaching at the 2017 Koryu Uchinadi North American Gasshuku. Feel free to watch our interview or read below.

JT: What is it about KU and Sensei McCarthy’s method that made you want to stick with it?

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PL: The fact that it was eclectic. It had everything that I didn’t have in my training as a Shotokan stylist. We were good at kicking, punching, kata and kumite, but I hadn’t done a joint manipulation, strangle, any ground work or throwing; those parts of my game were missing.

And, I guess in the late 90’s, UFC had started to become very popular and I knew that the parts of my game that were missing were either going to get me hurt or get me killed if I had to use it in real life.

Overall, I felt that KU was a complete system and I needed to go in a direction that was going to give me those missing elements.

JT: How would you describe your teaching style?

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PL: As you may or may not know, adult learners are generally classified three ways: visual, auditory and kinesthetic. I find that I have a direct hands-on approach and I use all three of those methodologies when I teach in a regular class or seminars.

JT: What is the process you go through when teaching or assessing your students?

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PL: I roll with every one of my students every week. I get physical with them because I want to feel their progress, so I know where their weaknesses are. I’ll identify those whether it be in class or the next class where I’ll do something like guard passing or something I know a bunch of students are struggling with.

I also have a two-hour open forum. The first hour we basically work on technique, usually directly from or something that relates to our curriculum. The second hour is an open roll for about 45 minutes or so. Then at the end of class, I take open questions from anyone on our curriculum material or on anything they encountered while rolling that they had trouble or difficulty with. Then lastly we finish up with some conditioning. That’s a typical class, step-by-step, how I run it.

And, just like anything else, there’s no magical pixie dust that I can sprinkle on somebody, it’s just hours on the mat.

JT: Your club participates in cage fighting, how is the preparation different from BJJ or Karate tournaments?

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PL: If you look at wrestling, wrestlers are put under intense cardiovascular and strength training, dietary restrictions and then they’re wrestling. Cage fighting encompasses the same thing.

Generally, we’ll have a eight to ten week camp before a cage fight. I don’t like the cut a lot of weight for amateurs only because dehydration sets in, it’s not good for their body long term, and they lose a lot of muscle mass. I don’t really like weight cuts. I determine their weight before we start a camp, generally within five pounds up or down. Then, we’ll start a camp with a lot of cardio and strength training. I have a minimum requirement for cardiovascular stamina and speed; if my fighters can’t perform to that level, I do not let them fight for me. Their strength training has to be done outside of the dojo. They have to put in their cardio and their weight training. I’m not standing over them with their weights and cardio. However, I will work on their striking, grappling and transitional game, whether its throws, takedowns or whatever.

Generally, we work for their strengths. If they’re good at striking we work mostly their striking. If they’re good at grappling were going to work their grappling and takedowns and try to close the distance.

At the end of our eight weeks, depending on when the fight is, we have the weight, the strength, the cardio, the grappling and the striking; it all comes together.

We’ve been very successful in the amateur scene and we’ll have a few pros soon and keep going.

JT: What is your greatest strength as an instructor?

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PL: My experience. I’ve had a long career and had the opportunity to train with some of Shoto Kan’s greatest instructors in the US and beyond.

Obviously now, I’m with an international group of like-minded people and obviously Sensei McCarthy is world renowned as an author, competitor, instructor, as an instructor’s instructor, and as a practitioner!

JT: How do you acquire new knowledge?

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PL: I classify myself as a visual learner. If I can see and I can question, then I can learn. I don’t have to do it because the visual pathway for me is conceptual. If I can see what’s going on, if I can see the pathway, then once I see, I understand.

JT: What do you plan on teaching at the 2017 Koryu Uchinadi North American Gasshuku?

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PL: I’ve been asked to run over a set of drills I’ve shown a few times in Canada. We’re going to look at those as an addition to our core curriculum. We’re looking at the ne-waza material.

I also plan to marry the lessons of the other instructors and my own. I intend to modify or amplify what has already been taught for students who need to work more on a certain principle or process.

JT: How does it feel to go from a attendee to an instructor at the Gasshuku?

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PL: First of all, this is a great honour! This is a big deal. I’ve only taught in front of Sensei McCarthy twice. So, for me to be asked to teach along side him is a HUGE honour. It’s very intimidating; he’s a world-renowned martial artist. To share the stage with someone like that, it really is a phenomenal experience for me, and very enriching.

JT: What would you say is the best part of the Gasshuku experience?

PL: You’re going to get good training. You’re going to get good information. You’re going to get good learning.

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The real “umph,” the real thing you’re going to take back is the extracurricular: the conversations that you have, the people that you meet, train and share with. THAT is what’s going to make the Gasshuku. THAT is the piece you’re going to remember.

JT: If you had one piece of advice to give, what would it be?

PL: You NEED to be at this event. You really do! If you do one thing this year, come out to this event, even you are going to have Sensei at your dojo, come out and get the group experience, get the senior instructors’ experience along with Sensei McCarthy’s.

My God! How do you get that much experience into one place for five days! You have GOT to get there!

JT: Wow! That sends the message loud in clear! Thanks so much for your time Sensei Paul!

 You heard the man! Get your ass to the 2017 Koryu Uchinadi North American Gasshuku!

KU_IRKRS

Martial Art Talks: Sensei Darrin Johnson

Welcome to Martial Art Talks! The MAT is an interview blog series where I speak with the best and brightest the martial arts industry has to offer.

This week on the MAT, we speak with Koryu Uchinadi Shidoin, Sensei Darrin Johnson. Sensei Darrin has 35 years of martial arts experience, a 6th dan in KU, is an avid researcher, and has pursued other martial arts such as, Muay Thai, Aikido, Kobudo and holds rank in various styles of karate.

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In our chat he shares his controversial opinions about martial arts today and how he integrates KU and Muay Thai into his weekly practice. Feel free to watch our interview or read below!

 

JT: How did you get introduced to Koryu Uchinadi and Hanshi Patrick McCarthy?

Sensei Darrin and Sensei McCarthy

DJ: When I was growing up in Spokane. Sensei McCarthy would come to tournaments and I would see him in the divisions and he would always win! And, as I was growing up through the martial arts my instructors would always have a Patrick McCarthy story, so I knew him before I even knew him!

JT: What about KU made you want to stick with it?

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DJ: Well, for me, it was the answer! I had spent my entire martial arts career looking for a style, a technique or a kata that would give me the answer. I couldn’t tell you how much I spent on videos of kata that I thought would give me that.

Then, I get with Sensei McCarthy and started looking at these things called tegumi and two person drills; they were so realistic. For me, KU had everything I needed and there was no reason for me to look any further.

That being said, there are things that aren’t really in KU right now that I like in Silat, Kali or Bagua, but I can bring it in because KU isn’t a style, it’s a methodology. I can bring anything I want into that methodology that works for me. I like impact, so I bring in Muay Thai, which is already similar to what we have with our Heishu Waza. For me, there’s just nowhere else to go. If I want to grapple, I grapple. I don’t need to go out and become a BJJ Master. I can just work that within my Koryu Uchinadi practice.

JT: Based on your experience as a martial arts business owner, what is the most important thing you have learned? 

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DJ: Don’t go into business. If you want to run a daycare, then yes, own a business. For me, I enjoyed myself much more when I was a club or a community centre or practicing at home. The market right now is just little kids. That’s why I started teaching Muay Thai, because that’s what people wanted. People would come in and ask “You don’t wear gis, do you?” and I’d say “No.” Then, they’d say “Good! Because, we wouldn’t want to come here if you did.” They don’t want the gi. They don’t want the belt. They don’t want the ranking system. They just want to train, like cross fit or tennis, just train.

If you want to do it as a business, you’ve got to have your ducks in a row, and you’ve got to make sure the kid market is there. If you don’t want to teach kids, you’ve got to have something else that’s going to bring in adults on a regular basis.

JT: You mentioned that you don’t use the gi, could you elaborate on that?

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DJ: I wouldn’t wear a kilt or a suit of armor to workout in; it’s irrelevant. That type of uniform and training methodology was meant for the 1890’s and early 1900’s Japanese because that’s what they wore. People today wear hoodies and t-shirts. If you go down to Florida, they wear flip flops and tank tops. Your training methodology should match the culture you’re in.

JT: How would you describe your teaching style?

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DJ: My teaching style is stern, but fun. I’m not going to spend a lot of time fixing everything, every second. I’ll mention it and move on. I’ll come back, fix it again, and move on. I might skip it for a few weeks and then come back to it.  If you just focus on correcting the entire time, than the student won’t get the overall lesson plan.

JT: Take me through the step-by-step process you go through teaching or assessing your students.

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DJ: There’s no step-by-step process; it’s a feeling. Every student is different. There’s no cookie cutter method for me. Sensei McCarthy uses the term mitari geiko “to watch and learn,” but sometimes I’ll have them do a technique and if I see a pause, I’ll just pull it out and work it until it doesn’t pause anymore, so it becomes functional spontaneity.

JT: What do you think is the most frustrating part for you as an instructor? 

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DJ: It’s time, meaning that I wish I had more time to teach. I wish the student’s had more time to learn. People don’t practice at home like I used to, but most people don’t have that type of time or dedication to it. There’s always so much to teach. I wish I could do more grappling, more throws, more chokes and strangulations; I just don’t have the time.

JT: What is the most rewarding aspect for you as an instructor?

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DJ: It’s not money. It usually costs me more than I make on it, that’s for sure! It’s rewarding when you have somebody come in that’s timid, shy and not very athletic, then six months to two year later, they start to look good and they feel the difference and that’s the most important thing.

Having someone train with me, it inspires me. They want so much knowledge and I have so much stuff to give. It’s fun to give that knowledge and watch people accept it and enjoy it, it makes you feel worth something.

JT: What do you plan on teaching at the Koryu Uchinadi North American Gasshuku?

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DJ: I am an impact guys. I love to smash! I make jokes about being “hulk smash” or “smash mouth”. We’re going to work on impact drills. If somebody grabs me by the throat, I’m not going to try a joint lock, because that’s hard, they don’t stand still for you. Smacking them in the face is quick and easy, that’s what I’m going to teach.

JT: How do you plan on going about teaching it?

 

 

 

DJ: Usually, you start with the HAPV or a mutual confrontation situation where you square off. In this case, I like to use focus mitts, Muay Thai pads and boxing gloves, because it allows the person to really extend their power through and get the idea of what it’s like to hit something. As well, the person holding the pads gets to feel what it’s like to get hit, without getting hit. It’s safe, yet they’re learning what it feels like to get smashed with fists, kicks and knees.

JT: What do you think is the best part about the Gasshuku experience?

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DJ: The gathering is always nice and to get like-minded people together, to see old friends again and meet new friends.

JT: If you have one piece of advice to give, what would it be?

 

 

DJ: Whether you’re a beginner or if you’ve been around for seventeen years, the idea is you don’t know it all, never think you know it all.

JT: Thank you so much Sensei Darrin Johnson for taking the time to speak with me. I look forward to working with  you at the Gasshuku!

Want to learn more? Check out the Koryu Uchinadi North American Gasshuku Facebook Page!

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Karate and The Sunk Cost Fallacy

The sunk cost fallacy is when you make a decision based on the desire NOT to see your past investment go to waste, rather than on the best outcome.

Nowhere else do I see this phenomenon as much as in karate.

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I have listened to many karate students and teachers explain to me that they are disenchanted with their current karate practice:

“The application practices are unrealistic.”

“The body movements are mechanical.”

“The teaching style is too militarized.”

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Yet when I ask, “Why don’t you quit or switch styles?”, there is always an excuse. Sometimes, they quote loyalty to their instructor or peers.

OR

It’s just the way they’ve always done it.

Denial-san at it’s best!

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The real reasoning is they cannot bear the thought that they’ve invested their entire life for a method that is now or always has been worthless.

It’s a security blanket that is worn, tattered and useless!

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I’ve also seen long-time students make no meaningful commitment to training, but show up for the last 15 minutes of class once a month, do a kata and leave, while claiming they are still passionate about martial arts. It is obvious their interest has faded and they’d be happier somewhere else.

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Why do they continue to come to a class when they aren’t getting anything from the class mentally, physically or even socially?

They hold on by their fingernails because they fear that if they completely stop, that all those years of real commitment and work will have been a waste.

As Julia Galif explains, “whatever you have already spent is called the sunk cost. It’s gone no matter what you do going forward.”

The irony is that the desire to not see your past investment go to waste makes you waste even more time clinging to something that you no longer enjoy.

My advice is to not waste any more time pretending martial arts is something you actually want to do. Put yourself in a place you want to be, even if that means leaving the Dojo behind.

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For instructors who are disenchanted, find a methodology that truly fits the outcomes you want to achieve. It may mean biting the bullet and starting over again from the beginning, but once you realize you are on the wrong path, the only option is to correct the course you are on.

For the students who have lost interest, your time hasn’t necessarily been wasted. The benefits of pursuing the fighting arts are far and wide and the lessons you’ve learned will always be with you. Remember, it’s better to have loved and left than to have never loved at all.

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Martial Art Talks: Renshi Danny Spletter

Welcome to Martial Art Talks! The MAT is an interview blog series where I speak with the best and brightest the martial arts industry has to offer. 

The first person to hit the MAT is Koryu Uchinadi Renshi, Sensei Danny Spletter. In addition to being a 4th dan in KU, Sensei Spletter also holds a 3rd dan in Shoto Kan. 

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In our talk he shares what he feels are the most rewarding and sometimes frustrating aspects of being an instructor and gives us a taste of what he will be teaching at the 2017 North American Gasshuku! Feel free to watch our interview or read below!

JT: How did you get introduced to Koryu Uchinadi and Hanshi Patrick McCarthy?

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DS: I was a part of the Australian Karate Federation in Brisbane; they would bring him over every year for a seminar. He would explain, in depth, katas we were doing and until then I had no idea that they had applications—or had asked and never received an answer.

JT: How would you describe your teaching style?

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DS: I fall back on the JKA style of teaching, which is more Kihon oriented, in the KU sense. I still very much like that formality. I roll out with that more traditional style karate. I like things to be fairly disciplined and orderly.

JT: Take me through the step-by-step process you go through teaching or assessing your students.

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DS: That’s hard. It depends on the student. The way my curriculum is set up is we have the solo first and then the two person. I think that gets some muscle memory about where the body should be moving. But, sometimes it’s very difficult for people to imagine that other person there, so there’s some fusion.

JT: What do you think is the most frustrating part of teaching? In KU and/or just generally.

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DS: I’ve thought about this the last few years: KU really requires a good partner and it’s very difficult when you have mismatched students. It occurs to me that’s probably what happened with the evolution of Karate from Okinawa to Japan. You originally have these small classes with individual attention, possibly two to three people, then moving to larger classes, it would be a very difficult task to make that transition and teach two person drills to a mass amount of students. I find it works better for us to have smaller groups, more individual attention and to limit the ratio of students to instructors. It certainly works out and I find the students progress much faster when they have a evenly matched partner.

JT: What’s your greatest strength as an instructor?

Sensei Darrin Johnson, Hanshi Patrick McCarthy, Renshi Danny Spletter

DS: I try to be pretty organized. I’m a chef by profession and the culinary term is mise en place, which means “to put everything in its place.” That’s why I’ve set the curriculum up to be very orderly. That works for me in my personal life. The students that we have seem to be very comfortable with that. They know where they’re headed and there are no mysteries.

JT: What is your greatest strength as a student?

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DS: The stand up from JKA. The stand up impacting is where I probably feel the most comfortable.

JT: What’s the most frustrating part for you as a learner? 

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DS: As KU has progressed, it’s gathered a lot of drills. With the limited amount of time I have, its sometimes difficult to practice those drills and I really have trouble keeping up with them. We have a group of black belts now that are learning those drills and we’ll be able to work them together. Like the old adage says “karate is like boiling water, if you do not heat it constantly, it will cool.”

JT: What will you be teaching at the Koryu Uchinadi North American Gasshuku?

DS: I’ve volunteered to do the Kihon section at the start. We call it the Kihon Kickoff, with “old school” Volume 9 (Basic KU Curriculum) and REALLY work those drills. Hopefully, we’ll get a bit of a sweat up to start the Gasshuku!

JT: What do you think is the best part of the Gasshuku experience?

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DS: The thing I love about the Gasshuku is the networking and the people. Sensei McCarthy always says it attracts like-minded people, but I guess its not just like-minded in the martial arts, it’s a group of people I genuinely enjoy spending time with. I’ve been all over the world and it really seems to attract a similar group. They’re all pretty good people to get along with. I always have fun.

JT: If you had one piece of advice to give, what would it be?

DS: Follow your passion. Do what you want to do because life is short!

JT: Thank you so much Sensei Danny Spletter for taking the time to speak with me. I look forward to working with  you at the Gasshuku!

Want to learn more? Check out the Koryu Uchinadi North American Gasshuku Facebook Page!KU_IRKRS

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